Get the song right first.
- We build the record around your vocal.
- Tuned by hand, cleaned up before anything gets added.
- You hear passes as we go. No big reveal at the end.
A mix you've already signed off on.
Most studios hand you a WAV and wish you luck. We stay on it: the mix, the content, the rollout, and every round after, until the numbers move.
Ayush Basu, founder and engineer · with Sam Suen, artist and engineer
Where every studio starts. Get this wrong and nothing after it matters.
A mix you've already signed off on.
A master that sounds right wherever it plays.
Most studios stop here.
This is where we keep going.
Content, release, pitch, and as many rounds as it takes for the song to get heard.
Weeks of posts from one good day.
A grid built on what actually worked.
Main gridRelease week is posting, not scrambling.






Site updatedThey go out the day it drops, not a week late.
Hey [name],
You added [last single] last spring, so you're the first person we wanted to send this to. [Song] is out Friday. Private link below, plus the lyric video if it helps.
[link] · [lyric video] · [press photo]
Then we do it all again.
See a full rollout: Sam Suen
No. Plenty of artists just want the mix and master, and that's fine. The rest is there when you want it, and it's the same team either way.
Stems exported from bar one, named plainly, plus two or three songs that sound like where you want this to land. That's enough for a first pass.
A first mix is usually back inside 48 hours. A full rollout, from shoot to release day, typically runs a few weeks, depending on how much content we're making.
Yes. Mixing and mastering are remote by default. Shoots and studio time happen here in Atlanta.
Your first mix is $50. We'll tell you honestly what the song needs, and if the answer is a re-record, we'll say so before you pay for anything.
Want the gear and the history of recorded sound? That lives in the CTRL·A toolkit, our open creative library.