Sound Engineering
RAW.REFINED.RELEASED.
REFINED.
From bedroom demos to radio-
ready hits, your sound unleashed
in just 48 hours.
From bedroom demos to radio-
ready hits, your sound unleashed
in just 48 hours.
Act two · the song
That is what your record could sound like. Here is what it costs.
Produced, written, mixed, and mastered here. Every rate below is published in full. You leave every session with your stems and whatever we mixed that day.
Hear all six records, named and linked →Not sure where you're at?
Your first mix & master. No commitment.
One per artist. Same finished sound as every paid record we release. After that it's $100 a song, or as low as $58 in a pack.
We don't just mix files from a laptop. Artists record in our Atlanta studio, stand behind real mics, and walk out with their stems the same day. Add the mix and master and the record is ready for Spotify, Apple Music, and every streaming platform.
You book the hour and leave with your files and whatever we mixed. The full mix and master is a separate line, and both numbers are on this page.
Comparable Atlanta rooms run $75–120/hr. You leave with your labeled stems the same day.
Atlanta rooms average around $102 an hour on rental marketplaces, so four hours elsewhere usually runs $400+ before anyone touches a mix.
Students may be eligible for additional discounts. Get in touch.
Record in our Atlanta studio and leave with your labeled stems and whatever we mixed during the session. When you are ready, we finish it: vocals balanced, cleaned, and enhanced, then mastered to streaming loudness for Spotify, Apple Music, and every major platform. Mix and master from $58 a song, first one $50.
Students may be eligible for additional discounts. Get in touch.
Act three · the career
A mix makes one song better. This is what makes a catalogue worth something.
Most artists are not short a mix. They are short the artwork, the video, the release page, the splits, and the metadata that stops a song landing on a duplicate profile. Nobody sells that, so nobody buys it, and it is the reason good records disappear.
See the whole path we run, capture to release →Most artists hire five people for one release and spend the whole rollout translating between them. Tell us what's missing and we make that part too, in the same room as the record.
See what it costs→
A mix makes one song better. These are the things that decide whether a catalog is worth anything, and most artists don't have them.
Who owns what percentage, in writing, signed.
Engineers sell songs. Almost nobody at this price sells the thing underneath: the paperwork, the owned audience, and the presentation that makes you look like a real act. That's what this is.
Essentials covers a clean artist site built on our template, up to five sections, with your domain connected. Custom design, storefronts, or anything multi-page is a bigger build and we'll quote it.
Rollout calendar, cover art, clips, presave and links, DSP pitch, email flows, and credits filed before the song is out. Priced per release once Foundation is in place.
Release Cycle on a cadence, plus a quarterly report on where streams actually come from and a strategy call. This is what we run for Sam Suen.
We refer out for publishing admin and anything contractual. You want a lawyer for that, not a studio.
Act four · the honest part
We will tell you when the answer is not us.
Sometimes a record needs a re-record rather than a mix, or a room bigger than ours. Saying so costs us the invoice and saves you three of them.
How every Atlanta studio compares, including the ones we are not →Client Testimonials
01 / 03
“ROV always sends files, stems, and deliverables in a well organized manner, which is so rare in the music industry these days. Tired of getting back final_maybe.mp3”
Dre Howard
Recording Artist
Organized DeliveryLet's discuss your project and bring your vision to life.
Your first mix is $50, so you can hear the work before committing to anything. After that a single song is $100, or you can prepay a pack and bring the rate down: 3 songs for $250 ($83 each), 6 for $400 ($67 each), or 12 for $700 ($58 each). Packs never expire. Mastering is always included and every song comes with 2 revisions. Full trackouts (beat stems plus vocals) are quoted on the number of stems, so send us your project details for an exact number.
Studio time is $80 an hour. You leave with your labeled stems and whatever we mixed during the session. Book a block and it drops: 2 hours is $160, 4 hours is $300, which works out to $75 an hour. A full mix and master afterward is priced separately, from $58 a song in a pack. Atlanta rooms average around $102 an hour for the room alone. Students may be eligible for additional discounts, so get in touch before booking.
48 hours from the time we receive your properly labeled stems and any notes. If you record with us and add a mix and master, it is back within 48 hours of the session too. If you're on a tight schedule for a rollout, tell us and we'll plan the timeline with you.
We need all your stems exported and labeled clearly before you send them over. That means things like "Lead Vocals," "Adlibs," "Kick," "808," "Guitar," and so on, not "Audio_01." Make sure everything is the same tempo and starts from the same bar so it lines up. You'll email the stems along with a rough mix or reference track and any notes about the vibe you're going for.
Yes, and you don't have to ask for it. Prepaid packs drop the rate automatically: $55 a song at 3, $45 at 6, and $40 at 12. There's no formula to track and nothing to negotiate, the price is the price. One thing worth knowing: five singles cost more than the 6-pack, so if you're near a pack size, take the pack. Bringing a full EP or project at once? Tell us the track count and timeline and we'll quote it.
We mix competitively for streaming loudness, so your records hit hard without sounding crushed. Our work has landed on placements like SoundCloud Song of the Day, On The Radar, Apple Radio, and more, so we know what translates well on real playlists and radios. The goal is a mix that feels big in the car, on headphones, and on all major platforms.
Yes, this is where we really go full service. Cover art is sold as a system rather than one image at a time: $150 for the system plus your first cover, then $40 for every cover after, which is what makes six singles look like they belong together instead of six unrelated images. Beyond that we do content runs (20 shorts plus 5 lyric videos for $750), websites, EPKs, merch, tracklists, and full rollout assets. We're set up to take you from recording to release, so you don't have to piece together a different person for every part of your rollout.
Foundation is everything a career needs that a mix doesn't cover, built once for $500 and yours forever. It includes an artist website on your own domain, lead capture and booking forms, an EPK as both a live page and a PDF you can forward, a release hub that captures fan emails on every drop, your metadata master sheet so your songs never land on a duplicate Spotify profile, a split sheet system so nobody fights over a song that starts working, a tech rider and input list for shows, and a stem vault we hold and back up for you. Bought piece by piece that runs well over a thousand dollars, and most artists never buy any of it. You don't need it to send us a song, but a mix makes one song better and this is what makes a catalog worth something.
No label services, no radio promo, no booking agency, and no publishing administration. We refer out for publishing admin and for anything contractual, because you want a lawyer for that, not a studio. We'd rather tell you plainly than take money for something we're not the right people to run.
The fastest way to know if this is for you is to hear your own record come back finished. Everything else follows from that.
Atlanta, GA · stems@rovstudios.com
