RAW.

REFINED.

RELEASED.

Your first mix is $50, so you can hear the work before committing to anything. After that a single song is $65, or you can prepay a pack and bring the rate down: 3 songs for $165 ($55 each), 6 for $270 ($45 each), or 12 for $480 ($40 each). Packs never expire. Mastering is always included and every song comes with 2 revisions. Full trackouts (beat stems plus vocals) are quoted on the number of stems, so send us your project details for an exact number.

Studio time is $65 an hour, and every rate includes the full mix and master. Book a block and it drops: 2 hours is $120, 4 hours is $200, which works out to $50 an hour. Most rooms in Atlanta charge you $75 to $120 an hour and then bill mixing separately, so a finished song here usually costs less than the room time alone somewhere else. Students may be eligible for additional discounts, so get in touch before booking.

48 hours from the time we receive your properly labeled stems and any notes. If you're recording with us in-house, your song is mixed and mastered within 48 hours of the session too. If you're on a tight schedule for a rollout, tell us and we'll plan the timeline with you.

We need all your stems exported and labeled clearly before you send them over. That means things like "Lead Vocals," "Adlibs," "Kick," "808," "Guitar," and so on, not "Audio_01." Make sure everything is the same tempo and starts from the same bar so it lines up. You'll email the stems along with a rough mix or reference track and any notes about the vibe you're going for.

Yes, and you don't have to ask for it. Prepaid packs drop the rate automatically: $55 a song at 3, $45 at 6, and $40 at 12. There's no formula to track and nothing to negotiate, the price is the price. One thing worth knowing: five singles cost more than the 6-pack, so if you're near a pack size, take the pack. Bringing a full EP or project at once? Tell us the track count and timeline and we'll quote it.

We mix competitively for streaming loudness, so your records hit hard without sounding crushed. Our work has landed on placements like SoundCloud Song of the Day, On The Radar, Apple Radio, and more, so we know what translates well on real playlists and radios. The goal is a mix that feels big in the car, on headphones, and on all major platforms.

Yes, this is where we really go full service. Cover art is sold as a system rather than one image at a time: $150 for the system plus your first cover, then $40 for every cover after, which is what makes six singles look like they belong together instead of six unrelated images. Beyond that we do content runs (20 shorts plus 5 lyric videos for $750), websites, EPKs, merch, tracklists, and full rollout assets. We're set up to take you from recording to release, so you don't have to piece together a different person for every part of your rollout.

Foundation is everything a career needs that a mix doesn't cover, built once for $500 and yours forever. It includes an artist website on your own domain, lead capture and booking forms, an EPK as both a live page and a PDF you can forward, a release hub that captures fan emails on every drop, your metadata master sheet so your songs never land on a duplicate Spotify profile, a split sheet system so nobody fights over a song that starts working, a tech rider and input list for shows, and a stem vault we hold and back up for you. Bought piece by piece that runs well over a thousand dollars, and most artists never buy any of it. You don't need it to send us a song, but a mix makes one song better and this is what makes a catalog worth something.

No label services, no radio promo, no booking agency, and no publishing administration. We refer out for publishing admin and for anything contractual, because you want a lawyer for that, not a studio. We'd rather tell you plainly than take money for something we're not the right people to run.