Pricing

Every rate, on one page.

No quote required to see a number, no discount you have to negotiate for. The price drops when you buy more, and the table below is the whole table.

Mixing

Send us your stems

Everything includes the master and two revisions. Packs are prepaid and never expire, so you're buying a rate, not a deadline.

Start here

Your first mix

One song, so you can hear it before committing to anything. Once per artist.

$50/song

Single song

Mix and master, 48-hour turnaround, 2 revisions.

$65/song

3-pack

Prepaid, no expiry. Use them whenever you're ready.

$165
$55 a song

6-pack

Buying five singles? This costs less than that.

$270
$45 a song

12-pack

The lowest per-song rate we do.

$480
$40 a song
Recording

Come to the room

Every rate below includes the full mix and master. Most rooms in Atlanta charge you for the hour and then bill mixing separately. You leave here finished.

Hourly

Room, engineer, and every stem from the session.

$65/hr

2-hour block

Enough for one song, start to finished.

$120
$60 a hr
Best value

4-hour block

Usually two to three finished songs. Our lowest hourly rate.

$200
$50 a hr

Students may be eligible for additional discounts. Get in touch.

Creative

The rest of the release

Cover art is sold as a system rather than one image at a time, because six singles that look like they belong together is what makes a page read as a catalog.

Do this first

Cover art system + first cover

We design the rule once: type, position, color, photo treatment. Every future cover comes from it.

$150

Each cover after that

An hour's work once the system exists, so it's priced like one.

$40/song

Content run

20 shorts plus 5 lyric videos, planned and cut. More on request.

$750
The backend

Foundation. Everything a career needs that a mix doesn't cover.

$500one time, yours forever

Website, EPK, release hub with email capture, booking and lead forms, your metadata and split sheet system, tech rider, and a stem vault we hold for you. Bought piece by piece this runs well over a thousand dollars, and most artists never buy any of it.

See what you're missing
What we don't sell

No label services, no radio promo, no booking agency, no publishing administration. We refer out for publishing admin and anything contractual, because you want a lawyer for that, not a studio.

Full projects, EPs, and roster work are quoted rather than listed. If your release doesn't look like anything above, that's normal, just email us.

FAQ

Still have questions?

Let's discuss your project and bring your vision to life.

Your first mix is $50, so you can hear the work before committing to anything. After that a single song is $65, or you can prepay a pack and bring the rate down: 3 songs for $165 ($55 each), 6 for $270 ($45 each), or 12 for $480 ($40 each). Packs never expire. Mastering is always included and every song comes with 2 revisions. Full trackouts (beat stems plus vocals) are quoted on the number of stems, so send us your project details for an exact number.

Studio time is $65 an hour, and every rate includes the full mix and master. Book a block and it drops: 2 hours is $120, 4 hours is $200, which works out to $50 an hour. Most rooms in Atlanta charge you $75 to $120 an hour and then bill mixing separately, so a finished song here usually costs less than the room time alone somewhere else. Students may be eligible for additional discounts, so get in touch before booking.

48 hours from the time we receive your properly labeled stems and any notes. If you're recording with us in-house, your song is mixed and mastered within 48 hours of the session too. If you're on a tight schedule for a rollout, tell us and we'll plan the timeline with you.

We need all your stems exported and labeled clearly before you send them over. That means things like "Lead Vocals," "Adlibs," "Kick," "808," "Guitar," and so on, not "Audio_01." Make sure everything is the same tempo and starts from the same bar so it lines up. You'll email the stems along with a rough mix or reference track and any notes about the vibe you're going for.

Yes, and you don't have to ask for it. Prepaid packs drop the rate automatically: $55 a song at 3, $45 at 6, and $40 at 12. There's no formula to track and nothing to negotiate, the price is the price. One thing worth knowing: five singles cost more than the 6-pack, so if you're near a pack size, take the pack. Bringing a full EP or project at once? Tell us the track count and timeline and we'll quote it.

We mix competitively for streaming loudness, so your records hit hard without sounding crushed. Our work has landed on placements like SoundCloud Song of the Day, On The Radar, Apple Radio, and more, so we know what translates well on real playlists and radios. The goal is a mix that feels big in the car, on headphones, and on all major platforms.

Yes, this is where we really go full service. Cover art is sold as a system rather than one image at a time: $150 for the system plus your first cover, then $40 for every cover after, which is what makes six singles look like they belong together instead of six unrelated images. Beyond that we do content runs (20 shorts plus 5 lyric videos for $750), websites, EPKs, merch, tracklists, and full rollout assets. We're set up to take you from recording to release, so you don't have to piece together a different person for every part of your rollout.

Foundation is everything a career needs that a mix doesn't cover, built once for $500 and yours forever. It includes an artist website on your own domain, lead capture and booking forms, an EPK as both a live page and a PDF you can forward, a release hub that captures fan emails on every drop, your metadata master sheet so your songs never land on a duplicate Spotify profile, a split sheet system so nobody fights over a song that starts working, a tech rider and input list for shows, and a stem vault we hold and back up for you. Bought piece by piece that runs well over a thousand dollars, and most artists never buy any of it. You don't need it to send us a song, but a mix makes one song better and this is what makes a catalog worth something.

No label services, no radio promo, no booking agency, and no publishing administration. We refer out for publishing admin and for anything contractual, because you want a lawyer for that, not a studio. We'd rather tell you plainly than take money for something we're not the right people to run.